December Newsletter

https://mailchi.mp/bc0a0d0e55b5/december-newsletter-5046194

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November Newsletter

https://mailchi.mp/0183563a090e/november-newsletter-5032086

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Russian song recital

Leonid Pasternak Alexander Pushkin by the seashore (1896)
Mastersingers in association with Rossotrudnichestvo presents
 
A live concert of Russian song
 

Pauls Putnins bass-baritone & Diana Ketler piano

perform music by Tchaikovsky, Rachmaninov, Borodin, Mussorgsky and Sviridov

 Thursday December 10 at 7pm

 The Russian Cultural House in London

1stfloor, 37 Kensington High Street

London W8 5ED

Nearest tube: High Street Kensington

This is a socially distanced event – only 25 seats are available! Tickets at £20 each must be booked in advance by email to: mastersingersuk@gmail.com

Payment is by BACS transfer. A programme of texts and translations will be available online. Doors open at 6.30 and the concert will end at 8.15. There is a lift in the building but please note that tickets will not be available on the door. Mastersingers and Rossotrudnichestvo will comply with current Government guidelines and in the event of unavoidable cancellation refunds will be made

 
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October Newsletter

https://mailchi.mp/1586beda92d8/october-newsletter-5006378

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Summer Newsletter

https://mailchi.mp/b926e332b279/summer-newsletter-4971250

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Lockdown Newsletter

https://mailchi.mp/f073e3fafa33/lockdown-newsletter-4907901

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Lee Bisset

Lee Bisset, soprano, who would have been singing her first Brünnhilde in Die Walküre for Longborough this summer, is in lockdown with her family at home in Sussex. She had a Zoom conversation with our Stage Manager Nick Fowler, which is available here:

Apologies for the occasional glitches – internet connection was a bit unreliable.

Lee also sent us a video of her and her husband, conductor David Angus, performing Wagner’s Träume from the Wesendonck Lieder, available here:


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Pauls Putnins

Pauls Putnins, who would of course have been understudying Wotan in the Longborough Die Walküre at the moment, is in lockdown in Riga, Latvia, in order to look after his parents. He and Nick Fowler, Mastersingers Stage Manager, had a Zoom conversation on Thursday 28th May, which Nick recorded, and is available here:

An extract from the concert for Latvian National Radio, of Pauls singing Wotan’s Abendlich strahlt from Das Rheingold, is available here:

https://www.youtube.com/watch?v=mSlGcelpPwE

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Neil Howlett Tribute

A personal tribute from our Artistic Director Malcolm Rivers to former ENO principal baritone and esteemed voice coach and teacher Neil Howlett, who died on 21st May 2020, aged 85, after a long illness.

Neil Howlett
From the time I first met Neil during rehearsals and performances for the world premiere of Gordon Crosse’s “The Grace of Todd” in the Jubilee Hall at Aldeburgh, and thereafter at Sadlers Wells, I knew that he was a force to be reckoned with. He was singing Lance Corporal Shard, and Robert Tear and I were mere privates . He relished the authority the role gave him and immediately impressed himself on the opera world with an amazingly rich and beautiful baritone and natural stage presence – to be with him always; most notably as far as I am concerned during the tenures we both enjoyed at ENO from the early 70s until late 80s when we both left the company – he to Academia and me to Musical Theatre.
During that time his repertoire was astonishing. His Verdi singing was the most accomplished I had heard from a British baritone since Glossop and in particular his Iago, Gerard and Scarpia were unique in the beauty of tone and legato that he brought to such dramatic roles. In addition the contemporary repertoire was also where his talent was awesome. Later in his career when he added Wagner roles to his repertoire he was equally impressive. At Mastersingers he was our first Wotan and relished coming to this role whilst coaching at our musical institutions. So much was passed on from him to the younger artists in our system by the majesty of his singing and his willingness to guide and encourage “from the wings” with boundless energy and generosity. He undertook lectures and Masterclasses for us in London, Aldeburgh and The Rodd at Presteigne that were beneficial to many who went on to international careers. Particularly informative was his lecture on the five different types of tenor voice (not including character tenor) required to sing Wagner.
He was distinguished, unique and a wonderful colleague and friend to us all in the world of opera . I doubt we shall hear his like again and we are all deeply indebted to him.
Malcolm

Neil coaching Andy Rees and Stuart Pendred at The Rodd, Presteigne 2010
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February Newsletter

https://mailchi.mp/e8031c6d5d9e/february-newsletter-4815569

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